Dina explains the work by saying, “For me, photography is intended not to produce an aesthetic that echoes current beauty standards, but to evoke and wrest feelings of shame, anger, shock and empathy from the observer so as to inspire insight into the human condition. I have always felt that my experience as a documentary photographer complements my conceptual photography — they inform each other technically and creatively. For example, my Fallen Princesses series was born out of deep personal pain, when I raged against the “happily ever after” motif we are spoon fed since childhood. The series created metaphor out of the myths of fairy tales, forcing the viewer to contemplate real life: failed dreams, pollution and ocean degradation, war, obesity, the extinction of indigenous cultures, cancer and the fallacy of chasing eternal youth. By embracing the textures and colors created by Walt Disney, which built a multi-billion dollar empire exploiting these fairy tales, Fallen Princesses exposed the consumerism that has negated the morality of these ancient parables. It also begged the question, “how do we define the concept of ‘good’ and how do we live a ‘good’ life?”
sabato 25 gennaio 2014
Disney “Fallen Princesses” pictures by Dina Goldstein
Dina Goldstein is a Canadian conceptual photographer and a Pop Surrealist artist with a background in editorial photography.
Dina explains the work by saying, “For me, photography is intended not to produce an aesthetic that echoes current beauty standards, but to evoke and wrest feelings of shame, anger, shock and empathy from the observer so as to inspire insight into the human condition. I have always felt that my experience as a documentary photographer complements my conceptual photography — they inform each other technically and creatively. For example, my Fallen Princesses series was born out of deep personal pain, when I raged against the “happily ever after” motif we are spoon fed since childhood. The series created metaphor out of the myths of fairy tales, forcing the viewer to contemplate real life: failed dreams, pollution and ocean degradation, war, obesity, the extinction of indigenous cultures, cancer and the fallacy of chasing eternal youth. By embracing the textures and colors created by Walt Disney, which built a multi-billion dollar empire exploiting these fairy tales, Fallen Princesses exposed the consumerism that has negated the morality of these ancient parables. It also begged the question, “how do we define the concept of ‘good’ and how do we live a ‘good’ life?”
Dina explains the work by saying, “For me, photography is intended not to produce an aesthetic that echoes current beauty standards, but to evoke and wrest feelings of shame, anger, shock and empathy from the observer so as to inspire insight into the human condition. I have always felt that my experience as a documentary photographer complements my conceptual photography — they inform each other technically and creatively. For example, my Fallen Princesses series was born out of deep personal pain, when I raged against the “happily ever after” motif we are spoon fed since childhood. The series created metaphor out of the myths of fairy tales, forcing the viewer to contemplate real life: failed dreams, pollution and ocean degradation, war, obesity, the extinction of indigenous cultures, cancer and the fallacy of chasing eternal youth. By embracing the textures and colors created by Walt Disney, which built a multi-billion dollar empire exploiting these fairy tales, Fallen Princesses exposed the consumerism that has negated the morality of these ancient parables. It also begged the question, “how do we define the concept of ‘good’ and how do we live a ‘good’ life?”
sabato 4 gennaio 2014
Soft Light by german designer Simon Frambach
Soft Light is a soft and flexible light shade made of foamed polyurethane. Its curvy fluent shape that resembles a calabash pumpkin provokes an organic and familiar appearance for a thoroughly synthetic and industrialized material.
Soft Light can be placed in unused spaces like cavities in furniture and other places as an object that fills a void in one's living environment. Its warm and tangible surface invites to touching and literally feeling light. The result is a light which is extremely flexible in use without having a technical characteristic.
The light shade has been crafted from a massive block of polyurethane foam on a simple self-constructed device for rotational milling. The device allows for a precise production of a desired shape. An energy saving light bulb, protected by a cage, illuminates the porous foam from the inside.
Soft Light can be placed in unused spaces like cavities in furniture and other places as an object that fills a void in one's living environment. Its warm and tangible surface invites to touching and literally feeling light. The result is a light which is extremely flexible in use without having a technical characteristic.
The light shade has been crafted from a massive block of polyurethane foam on a simple self-constructed device for rotational milling. The device allows for a precise production of a desired shape. An energy saving light bulb, protected by a cage, illuminates the porous foam from the inside.
lunedì 9 dicembre 2013
Amazing float table
A wooden Rubik’s Cube-like coffee table named the Float Table by RPR. Composed of wooden blocks that are held in equilibrium by a system of tensile steel cables, at a glance, the cubes seem to simply float. Asked about their work, RPR explained: “The Float Table is a matrix of magnetized wooden cubes that levitate with respect to one another. The secret of the “floating cubes” consists in the subtle steel cables that keep each piece close. Each handcrafted table is precisely tuned to seem rigid and stable, yet a touch reveals the secret to Float’s dynamic character. Price for such an item? A table made of 27 cubes costs $10,000 and the one composed of 54 cubes has a double price.
lunedì 2 dicembre 2013
Bubble Hotel
Rented out in France at attrap-reves hotel and skyriverone hotel for around € 100 a night, the Bubble Tent is basically a transparent apartment that you could set up pretty much anywhere you desire (at only about 13 feet in diameter they're relatively easy to pack up). With the Bubble Tent you can literally view the stars while you slumber, and sleep closer to nature than you have ever been before.
The concept came from french designer Pierre Stéphane
The concept came from french designer Pierre Stéphane
mercoledì 20 novembre 2013
Cute design: Rainy Pot by Jeong Seungbin
sabato 16 novembre 2013
Amazing loft in Milan by Frederic Gooris
Concept
In the centre of Milan, and old soap factory from the 19th century was transformed into lofts. One loft was restructured to become a combination of house and office. The building’s past was the starting point of the new project: a glass version of the "supervisor's office" (with a 4,5m sliding glass door) was raised above the antique wooden work floor creating an office space that is isolated acoustically while still seeing the rest of the open space and preserving the abundant flow of light. During office hours, the dining room transforms into the meeting room by closing the kitchen in an oversized closet. The semi-underground decanting tubs were transformed into one big sleeping room with dressing room and bathroom.
In the centre of Milan, and old soap factory from the 19th century was transformed into lofts. One loft was restructured to become a combination of house and office. The building’s past was the starting point of the new project: a glass version of the "supervisor's office" (with a 4,5m sliding glass door) was raised above the antique wooden work floor creating an office space that is isolated acoustically while still seeing the rest of the open space and preserving the abundant flow of light. During office hours, the dining room transforms into the meeting room by closing the kitchen in an oversized closet. The semi-underground decanting tubs were transformed into one big sleeping room with dressing room and bathroom.
giovedì 7 novembre 2013
Architecture of density
michael wolf
lives in hong kong
born munich, germany
the focus of the german photographer michael wolf’s work is life in mega cities. many of his projects document the architecture and the vernacular culture of metropolises. wolf grew up in canada, europe and the united states, studying at uc berkeley and at the folkwang school with otto steinert in essen, germany. he moved to hong kong in 1994 where he worked for 8 years as contract photographer for stern magazine. since 2001, wolf has been focusing on his own projects, many of which have been published as books.
lives in hong kong
born munich, germany
the focus of the german photographer michael wolf’s work is life in mega cities. many of his projects document the architecture and the vernacular culture of metropolises. wolf grew up in canada, europe and the united states, studying at uc berkeley and at the folkwang school with otto steinert in essen, germany. he moved to hong kong in 1994 where he worked for 8 years as contract photographer for stern magazine. since 2001, wolf has been focusing on his own projects, many of which have been published as books.
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